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<channel>
	<title>Hapticity</title>
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	<link>http://hapticity.net</link>
	<description>postcards from the cutting edge</description>
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			<item>
		<title>Science Channel special</title>
		<link>http://hapticity.net/2010/03/01/my-demo-on-the-science-channel/</link>
		<comments>http://hapticity.net/2010/03/01/my-demo-on-the-science-channel/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 00:18:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[outreach]]></category>
		<category><![CDATA[High-Fidelity Haptics]]></category>
		<category><![CDATA[Immersion Corporation]]></category>
		<category><![CDATA[Science Channel]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3995</guid>
		<description><![CDATA[High Fidelity Haptics, a demonstration I created that was shown at Fortune Magazine&#8217;s Brainstorm Tech conference, was also featured on the Science Channel. In this clip, High-Fidelity Haptics appears at 3&#8242;58.

]]></description>
			<content:encoded><![CDATA[<p>High Fidelity Haptics, a demonstration I created that was <a href="http://hapticity.net/projects/high-fidelity-haptics/">shown at Fortune Magazine&#8217;s Brainstorm Tech conference,</a> was also featured on the Science Channel. In this clip, High-Fidelity Haptics appears at 3&#8242;58.<br />
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		<item>
		<title>Visualizing everything (part one)</title>
		<link>http://hapticity.net/2010/02/25/visualizing-everything-part-one/</link>
		<comments>http://hapticity.net/2010/02/25/visualizing-everything-part-one/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 02:15:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[space]]></category>
		<category><![CDATA[visualization]]></category>
		<category><![CDATA[big bang]]></category>
		<category><![CDATA[dark energy]]></category>
		<category><![CDATA[superstructure]]></category>
		<category><![CDATA[visualizing everything]]></category>
		<category><![CDATA[Wittgenstein]]></category>
		<category><![CDATA[WMAP]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3752</guid>
		<description><![CDATA[Not &#8220;everything&#8221; as in one-at-a-time, but as in everything at once. Macro. Meta. Big.
This first picture is a visualization of the entire history of the universe, recently produced by the WMAP space probe. WMAP&#8217;s mission is to listen to the faint reverberation that is still bouncing around since the Big Bang. Analysis of the WMAP [...]]]></description>
			<content:encoded><![CDATA[<p>Not &#8220;everything&#8221; as in one-at-a-time, but as in <em>everything at once.</em> Macro. Meta. Big.</p>
<p>This first picture is a visualization of the entire history of the universe, recently produced by the <a href="http://wmap.gsfc.nasa.gov/">WMAP space probe.</a> WMAP&#8217;s mission is to listen to the faint reverberation that is still bouncing around since the Big Bang. Analysis of the WMAP data gives us a information not only about the size of the universe, but also its size over time. Here&#8217;s what it found.<br />
<center><a href="http://hapticity.net/wp-content/uploads/2010/01/CMB_Timeline.png"><img src="http://hapticity.net/wp-content/uploads/2010/01/CMB_Timeline-1024x667.png" alt="" title="CMB_Timeline" width="512" class="aligncenter size-large wp-image-3761" /></a></center></p>
<p>Time moves along the horizontal axis, and the size of the universe surrounds the vertical axis. It&#8217;s interesting to note that to express the size of the universe, you only need a single up-slanting line (the top edge of the cone), but in this image the line is wrapped around the horizontal axis to generate the cone structure you see. It associates the linear measurement of &#8220;size&#8221; with our idea of three-dimensional &#8220;space&#8221;. I think this visualization device works well to make the calculated size of the universe seem more tangible and real.</p>
<p>Now we have some idea of what the universe looks like over time. But if you disregard time and ask, what does the very largest superstructure of the visible universe look like? </p>
<p>Our best science says it looks like a giant morsel of luminescent bread.<br />
<center><a href="http://hapticity.net/wp-content/uploads/2010/01/FILAMENTS.gif"><img src="http://hapticity.net/wp-content/uploads/2010/01/FILAMENTS.gif" alt="" title="FILAMENTS" width="507" height="464" class="aligncenter size-full wp-image-3764" /></a></center></p>
<p>It also looks strangely like a neural network, as <a href="http://harijan.wordpress.com/">my friend Aram</a> pointed out. The spindles you see are billions of galaxies clumped and stretched together, called &#8220;filaments.&#8221; The dark spots are empty spaces containing <em>nothing</em>, called &#8220;voids,&#8221; and they have diameters of many bajillions of bajillions of whatever unit of distance you like. (Why the cube? I searched for a while and couldn&#8217;t find an explanation.)</p>
<p>Here&#8217;s a similar image, with map labels.<br />
<a href="http://hapticity.net/wp-content/uploads/2010/01/2MASS_LSS_chart-NEW_Nasa.jpg"><img src="http://hapticity.net/wp-content/uploads/2010/01/2MASS_LSS_chart-NEW_Nasa-1024x518.jpg" alt="" title="2MASS_LSS_chart-NEW_Nasa" width="512" class="aligncenter size-large wp-image-3930" /></a></p>
<p>If you zoom in far enough to see (incomprehensibly giant) galaxies as single pixels, this is what you get.<br />
<center><a href="http://hapticity.net/wp-content/uploads/2010/01/hugh3.gif"><img src="http://hapticity.net/wp-content/uploads/2010/01/hugh3.gif" alt="" title="hugh3" width="436" height="325" class="aligncenter size-full wp-image-3781" /></a></center></p>
<p>How did mere humans come up with these images? They took Wittgenstein&#8217;s timeless advice: &#8220;Don&#8217;t think, look!&#8221;</p>
<p>Now we can visualize&#8212;we can <em>appreciate</em>&#8212;the magnitude of the two familiar dimensions of experience, space and time. The result is profound awe; there is really no other reaction one can have to the above images. On the other hand, these images don&#8217;t speak to the phenomenology of experience. They don&#8217;t depict the thoughts and processes that comprise our mental lives. For that we are going to need visual philosophy, which I&#8217;ll post about soon.</p>
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		<title>Handedness affects abstract associations</title>
		<link>http://hapticity.net/2010/02/24/handedness-affects-abstract-associations/</link>
		<comments>http://hapticity.net/2010/02/24/handedness-affects-abstract-associations/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 13:22:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[cognition]]></category>
		<category><![CDATA[handedness]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3968</guid>
		<description><![CDATA[
Despite the common association of &#8220;right&#8221; with life, correctness, positiveness and good things, and &#8220;left&#8221; with death, clumsiness, negativity and bad things, recent research shows that most left-handed people hold the opposite association. Thus, left-handers become an interesting case in which conceptual associations as a result of a sensory-motor experience, and conceptual associations that rely [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.sciencedaily.com/releases/2010/01/100128101901.htm"><br />
<blockquote>Despite the common association of &#8220;right&#8221; with life, correctness, positiveness and good things, and &#8220;left&#8221; with death, clumsiness, negativity and bad things, recent research shows that most left-handed people hold the opposite association. Thus, left-handers become an interesting case in which conceptual associations as a result of a sensory-motor experience, and conceptual associations that rely on linguistic and cultural norms, are contradictory.</p></blockquote>
<p></a></p>
]]></content:encoded>
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		<item>
		<title>A Live One</title>
		<link>http://hapticity.net/2010/02/21/a-live-one/</link>
		<comments>http://hapticity.net/2010/02/21/a-live-one/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 17:23:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[music]]></category>
		<category><![CDATA[mixes]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3961</guid>
		<description><![CDATA[I&#8217;ve posted a new mix to my Music page. Download it there, or below.

A Live One
House &#124; 45:17 &#124; February 2010
Download (mp3, 95.7 MB)

1. Rico Tubbs &#8212; Hip Rave Anthem
2. Sawgood &#8212; Ctl Ur Brain (Calvertron&#8217;s Jedi Mind Trick Mix)
3. The Body Snatchers &#8212; Call Me feat. Sporty-O &#038; Yolanda (Lee Mortimer&#8217;s Troll Under The [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve posted a new mix to my <a href="/music/">Music page.</a> Download it there, or below.</p>
<div style="float: left; margin-right: 30px; margin-bottom: 4px;"><a href="http://hapticity.net/wp-content/uploads/2009/09/A-Live-One.png"><img src="http://hapticity.net/wp-content/uploads/2009/09/A-Live-One.png" alt="" title="A Live One" width="200" height="200" class="aligncenter size-full wp-image-3954" /></a></div>
<p><b>A Live One</b><br />
House | 45:17 | February 2010</p>
<p><a href="http://hapticity.net/audio/A_Live_One.mp3">Download</a> (mp3, 95.7 MB)<br />
<br clear="all" /><br />
1. Rico Tubbs &#8212; Hip Rave Anthem<br />
2. Sawgood &#8212; Ctl Ur Brain (Calvertron&#8217;s Jedi Mind Trick Mix)<br />
3. The Body Snatchers &#8212; Call Me feat. Sporty-O &#038; Yolanda (Lee Mortimer&#8217;s Troll Under The Bridge Mix)<br />
4. Les Petits Pilous &#8212; Wake Up<br />
5. Wolfgang Gartner &#8212; Fire Power<br />
6. Santiago &#038; Bushido, Colette &#8212; Make Me Feel<br />
7. Carbon Community, Burufunk &#8212; Community Funk (Deadmau5 Remix)<br />
8. Neelix &#8212; Disco Decay (Felguk Mix)<br />
9. Gooseflesh &#8212; Blow Up<br />
10. PNAU &#8212; Embrace feat. Ladyhawke (Fred Falke &#038; Miami Horror Remix)<br />
<br clear="all" /></p>
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<enclosure url="http://hapticity.net/audio/A_Live_One.mp3" length="95683030" type="audio/mpeg" />
		</item>
		<item>
		<title>Hand amputees have distorted vision</title>
		<link>http://hapticity.net/2010/01/26/hand-amputees-have-distorted-vision/</link>
		<comments>http://hapticity.net/2010/01/26/hand-amputees-have-distorted-vision/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 00:38:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[perception]]></category>
		<category><![CDATA[action space]]></category>
		<category><![CDATA[amputation]]></category>
		<category><![CDATA[vision]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3889</guid>
		<description><![CDATA[The space immediately surrounding the hands, where objects are grasped, touched, and manipulated, is called &#8220;action space&#8221; by psychologists. It is distinct from the wider spatial field because there is evidence that visual perception of an object is affected by the object&#8217;s proximity to the hands&#8212;i.e., its ability to be touched.
A new study has shown [...]]]></description>
			<content:encoded><![CDATA[<p>The space immediately surrounding the hands, where objects are grasped, touched, and manipulated, is called &#8220;action space&#8221; by psychologists. It is distinct from the wider spatial field because there is evidence that visual perception of an object is affected by the object&#8217;s proximity to the hands&#8212;i.e., its ability to be touched.</p>
<p>A new study has shown that hand amputees have <a href="http://www.sciencedaily.com/releases/2010/01/100106193434.htm">distorted visual perception in the action space:</a></p>
<blockquote><p>The space within reach of our hands&#8212;where actions such as grasping and touching occur&#8212;is known as the &#8220;action space.&#8221; Research has shown that visual information in this area is organized in hand-centered coordinates&#8212;in other words, the representation of objects in the human brain depends on their physical location with respect to the hand. According to new research in Psychological Science amputation of the hand results in distorted visuospatial perception (i.e., figuring out where in space objects are located) of the action space&#8230;.</p>
<p>Volunteers were instructed to look at a central cross on a screen as two white squares were briefly shown to the left and right side of the cross. The volunteers had to indicate which of the squares was further away from the cross. <strong>The results reveal that hand amputations affect visuospatial perception.</strong> When the right square was slightly further away from the center, participants with right-hand amputations tended to perceive it as being at the same distance from the center as the left square; this suggests that these volunteers underestimated the distance of the right square relative to the left. Conversely, when the left square was further away, participants with left-hand amputations perceived both squares as being equally far away from the center&#8212;these participants underestimated the left side of near space. Interestingly, when the volunteers were seated farther away from the screen, they were more accurate in judging the distances, indicating that hand amputations may only affect perception of the space close to the body.</p>
<p>The findings suggest that losing a hand may shrink the action space on the amputated side, leading to permanent distortions in spatial perception. According to the researchers, &#8220;This shows that the possibility for action in near space shapes our perception&#8212;<strong>the space near our hands is really special, and our ability to move in that space affects how we perceive it.</strong>&#8220;</p></blockquote>
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		<item>
		<title>Hand ninja</title>
		<link>http://hapticity.net/2010/01/24/hand-ninja/</link>
		<comments>http://hapticity.net/2010/01/24/hand-ninja/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 20:28:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[gesture]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[hand ninja]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3884</guid>
		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><center><object width="464" height="376" id="1679281" type="application/x-shockwave-flash" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" alt="Asian Chick's Awesome Hand Ninja Funny Videos"><param name="movie" value="http://embed.break.com/MTY3OTI4MQ=="></param><param name="allowScriptAccess" value="always"></param></object></p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Among journalists, technology breeds fear of obsolescence, corporations</title>
		<link>http://hapticity.net/2010/01/24/among-journalists-technology-breeds-fear-of-obsolescence-corporations/</link>
		<comments>http://hapticity.net/2010/01/24/among-journalists-technology-breeds-fear-of-obsolescence-corporations/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 16:34:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[sociology]]></category>
		<category><![CDATA[tactility]]></category>
		<category><![CDATA[anti-capitalist media bias]]></category>
		<category><![CDATA[Brad Stone]]></category>
		<category><![CDATA[generation gap]]></category>
		<category><![CDATA[lameness]]></category>
		<category><![CDATA[NYT]]></category>
		<category><![CDATA[touch signifies social acceptance]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3821</guid>
		<description><![CDATA[Another NYT article about technology anxiety, this one by Brad Stone. Some excerpts:
I’ve begun to think that my daughter’s generation will also be utterly unlike those that preceded it.
Well, it&#8217;s better to begin to think than to never start. There&#8217;s plenty of room for more people to contemplate and write about the future of technology. [...]]]></description>
			<content:encoded><![CDATA[<p>Another <a href="http://www.nytimes.com/2010/01/10/weekinreview/10stone.html?pagewanted=1&#038;emc=eta1">NYT article about technology anxiety,</a> this one by Brad Stone. Some excerpts:</p>
<blockquote><p>I’ve begun to think that my daughter’s generation will also be utterly unlike those that preceded it.</p></blockquote>
<p>Well, it&#8217;s better to begin to think than to never start. There&#8217;s plenty of room for more people to contemplate and write about the future of technology. We are a friendly bunch! Let me be the first to welcome you, Mr. Stone.</p>
<blockquote><p>But the newest batch of Internet users and cellphone owners will find these geo-intelligent tools to be entirely second nature, and may even come to expect all software and hardware to operate in this way. Here is where corporations can start licking their chops. My daughter and her peers will never be “off the grid.” And they may come to expect that stores will emanate discounts as they walk by them, and that friends can be tracked down anywhere.</p></blockquote>
<p>I see, so even though technology will lift people out of poverty and make life longer and more enriching, technology is really just a vehicle for capitalist oppression. And like mad, salivating dogs, corporations will <i>lick their chops</i>. Right.</p>
<blockquote><p>But the children, teenagers and young adults who are passing through this cauldron of technological change will also have a lot in common. They’ll think nothing of sharing the minutiae of their lives online, staying connected to their friends at all times, buying virtual goods, and owning one über-device that does it all. They will believe the Kindle is the same as a book. And they will all think their parents are hopelessly out of touch.</p></blockquote>
<p>Of all the mind blowing changes that technology will bring to our society, the <i>real</i> thought-provoker is that those crazy young&#8217;uns will think <i>a Kindle is the same as a book!</i></p>
<p>Mr. Stone: elevate your perspective. If you need help, read my blog, and read what I link to. Anticipate the future. Integrate it. <i>Do</i> develop a grounded, holistic understanding of where we&#8217;re going as a technological society. <i>Don&#8217;t</i> develop sociological theories based on your marvel at incremental steps like the Kindle. It won&#8217;t help you see the big picture.</p>
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		<title>Wordplay</title>
		<link>http://hapticity.net/2010/01/23/wordplay/</link>
		<comments>http://hapticity.net/2010/01/23/wordplay/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 17:36:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Kenneth Josephson]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3716</guid>
		<description><![CDATA[It&#8217;s what we do.

Kenneth Josephson
Chicago
1988
]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s what we do.</p>
<p><center><a href="http://hapticity.net/wp-content/uploads/2010/01/81QDZQTEYCL.gif"><img src="http://hapticity.net/wp-content/uploads/2010/01/81QDZQTEYCL.gif" alt="" title="81QDZQTEYCL" width="431" height="317" class="aligncenter size-full wp-image-3717" /></a></center><br />
Kenneth Josephson<br />
<em>Chicago</em><br />
1988</p>
]]></content:encoded>
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		<title>Living With Robots</title>
		<link>http://hapticity.net/2010/01/22/living-with-robots/</link>
		<comments>http://hapticity.net/2010/01/22/living-with-robots/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 03:49:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[robotics]]></category>
		<category><![CDATA[Asimo]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[Honda]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3879</guid>
		<description><![CDATA[I&#8217;m very excited for this film. Asimo looks fantastic in it!

I think we&#8217;re on the verge of seeing a lot more examination of the relationship between humans and robots.
]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m very excited for this film. Asimo looks fantastic in it!<br />
<center><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="437" height="370" id="viddler"><param name="movie" value="http://www.viddler.com/player/36e33104/" /><param name="allowScriptAccess" value="always" /><param name="allowFullScreen" value="true" /><param name="flashvars" value="fake=1"/><embed src="http://www.viddler.com/player/36e33104/" width="437" height="370" type="application/x-shockwave-flash" allowScriptAccess="always" allowFullScreen="true" flashvars="fake=1" name="viddler" ></embed></object></center><br />
I think we&#8217;re on the verge of seeing a lot more examination of the relationship between humans and robots.</p>
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		<title>Midnight snack</title>
		<link>http://hapticity.net/2010/01/16/midnight-snack/</link>
		<comments>http://hapticity.net/2010/01/16/midnight-snack/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 08:00:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[crucifixion]]></category>
		<category><![CDATA[Francis Bacon]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3703</guid>
		<description><![CDATA[
Francis Bacon
One of Three Studies for Figures at the Base of a Crucifixion
c. 1944
]]></description>
			<content:encoded><![CDATA[<p><center><a href="http://hapticity.net/wp-content/uploads/2010/01/4DPict2.jpg"><img src="http://hapticity.net/wp-content/uploads/2010/01/4DPict2.jpg" alt="" title="4DPict2" width="478" height="600" class="aligncenter size-full wp-image-3704" /></a></center><br />
Francis Bacon<br />
<em>One of Three Studies for Figures at the Base of a Crucifixion</em><br />
c. 1944</p>
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		<title>Old School vs. New School</title>
		<link>http://hapticity.net/2010/01/14/old-school-vs-new-school/</link>
		<comments>http://hapticity.net/2010/01/14/old-school-vs-new-school/#comments</comments>
		<pubDate>Thu, 14 Jan 2010 16:05:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[music]]></category>
		<category><![CDATA[robotics]]></category>
		<category><![CDATA[b-boy]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3838</guid>
		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><center><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/nYMSXV8eT0w&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/nYMSXV8eT0w&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"></embed></object></center></p>
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		<title>Perceptual chauvinism</title>
		<link>http://hapticity.net/2010/01/11/perceptual-chauvinism/</link>
		<comments>http://hapticity.net/2010/01/11/perceptual-chauvinism/#comments</comments>
		<pubDate>Tue, 12 Jan 2010 03:20:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[medical]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[babies]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[feeling signifies consciousness]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[perceptual chauvinism]]></category>
		<category><![CDATA[plants]]></category>
		<category><![CDATA[scare quotes]]></category>
		<category><![CDATA[thermoreception]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3805</guid>
		<description><![CDATA[I read two articles in a row today that use unnecessary quotation marks, which expose that strange discomfort with writing about touch I have written about before. As humans we hold our feelings dear, so we don&#8217;t like to say that any other beings can feel. Especially plants, for chrissake:
Plants are incredibly temperature sensitive and [...]]]></description>
			<content:encoded><![CDATA[<p>I read two articles in a row today that use unnecessary quotation marks, which expose that strange discomfort with writing about touch I have <a href="http://hapticity.net/2008/11/12/haptics-in-my-hometowns-newspaper-those-annoying-quotes-around-the-word-feel/">written</a> <a href="http://hapticity.net/2009/02/05/facial-movement-affects-hearing/">about</a> <a href="http://hapticity.net/2009/12/04/the-gray-ditz-discovers-augmented-reality/">before.</a> As humans we hold our feelings dear, so we don&#8217;t like to say that any other beings can feel. <a href="http://www.sciencedaily.com/releases/2010/01/100107132543.htm">Especially plants, for chrissake:</a></p>
<blockquote><p>Plants are incredibly temperature sensitive and can perceive changes of as little as one degree Celsius. Now, a report shows how <strong>they not only &#8220;feel&#8221; the temperature rise,</strong> but also coordinate an appropriate response&#8212;activating hundreds of genes and deactivating others; it turns out it&#8217;s all about the way that their DNA is packaged.</p></blockquote>
<p>The author can&#8217;t simply say that plants can feel, so instead he writes &#8220;feel,&#8221; indicating a figurative sense of the word. Why? Because the word &#8216;feel&#8217; implies some amount of consciousness. (In fact I have argued that &#8216;feeling&#8217; signifies a baseline for the existence of a subject.) Only the animal kingdom gets feeling privileges.</p>
<p>And then, in another article posted on Science Daily, we have a similar example, but this one is even more baffling. The context is that research has shown that playing Mozart to premature infants can have <a href="http://www.sciencedaily.com/releases/2010/01/100107132551.htm">measurable positive effects on development:</a></p>
<blockquote><p>A new study&#8230; has found that pre-term infants exposed to thirty minutes of Mozart&#8217;s music in one session, once per day expend less energy&#8212;and therefore need fewer calories to grow rapidly&#8212;<strong>than when they are not &#8220;listening&#8221; to the music</strong>&#8230;</p>
<p>In the study, Dr. Mandel and Dr. Lubetzky and their team measured the physiological effects of music by Mozart played to pre-term newborns for 30 minutes. After the music was played, the researchers measured infants&#8217; energy expenditure again, and compared it to the amount of energy expended when the baby was at rest. <strong>After &#8220;hearing&#8221; the music,</strong> the infant expended less energy, a process that can lead to faster weight gain.</p></blockquote>
<p>Not allowing plants to feel is one thing. And I can even understand the discomfort with writing that newborns are <em>listening</em> to music, because that may imply they are attending to it, which is questionable. But why can&#8217;t human babies be said to <em>hear</em> music? This is the strangest case of perceptual chauvinism I have yet come across.</p>
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		<title>Meet physical addiction with physical destruction</title>
		<link>http://hapticity.net/2010/01/09/meet-physical-addiction-with-physical-destruction/</link>
		<comments>http://hapticity.net/2010/01/09/meet-physical-addiction-with-physical-destruction/#comments</comments>
		<pubDate>Sat, 09 Jan 2010 17:22:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[medical]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[cybertherapy]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[smoking]]></category>
		<category><![CDATA[virtual reality]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3796</guid>
		<description><![CDATA[
Smokers who crushed computer-simulated cigarettes&#8230; had significantly reduced nicotine dependence and higher rates of tobacco abstinence than smokers participating in the same program who grasped a computer-simulated ball&#8230;
Other notable findings include the following: smokers who crushed virtual cigarettes tended to stay in the treatment program longer (average time to drop-out > 8 weeks) than the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.sciencedaily.com/releases/2009/10/091027161539.htm"><br />
<blockquote>Smokers who crushed computer-simulated cigarettes&#8230; had significantly reduced nicotine dependence and higher rates of tobacco abstinence than smokers participating in the same program who grasped a computer-simulated ball&#8230;</p>
<p>Other notable findings include the following: smokers who crushed virtual cigarettes tended to stay in the treatment program longer (average time to drop-out > 8 weeks) than the ball-grasping group (< 6 weeks). At the 6-month follow-up, 39% of the cigarette crushers reported not smoking during the previous week, compared to 20% of the ball graspers.</p></blockquote>
<p></a></p>
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		<title>Sudden breakthrough</title>
		<link>http://hapticity.net/2010/01/08/saturday-night-breakthrough/</link>
		<comments>http://hapticity.net/2010/01/08/saturday-night-breakthrough/#comments</comments>
		<pubDate>Sat, 09 Jan 2010 00:41:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Lucas Samaras]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3690</guid>
		<description><![CDATA[
Lucas Samaras
Photo-Transformation
November 22, 1973
]]></description>
			<content:encoded><![CDATA[<p><center><a href="http://hapticity.net/wp-content/uploads/2010/01/lucas-samaras-photo-transformation-american-november-22-1973.jpg"><img src="http://hapticity.net/wp-content/uploads/2010/01/lucas-samaras-photo-transformation-american-november-22-1973.jpg" alt="" title="lucas-samaras-photo-transformation-american-november-22-1973" width="472" height="480" class="aligncenter size-full wp-image-3691" /></a></center></p>
<p>Lucas Samaras<br />
<em>Photo-Transformation</em><br />
November 22, 1973</p>
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		<title>Thought-to-text</title>
		<link>http://hapticity.net/2010/01/06/thought-to-text/</link>
		<comments>http://hapticity.net/2010/01/06/thought-to-text/#comments</comments>
		<pubDate>Thu, 07 Jan 2010 05:20:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[interfaces]]></category>
		<category><![CDATA[transhumanism]]></category>
		<category><![CDATA[brain-computer interfaces]]></category>
		<category><![CDATA[electrocorticography]]></category>
		<category><![CDATA[electroencephalography]]></category>
		<category><![CDATA[epilepsy]]></category>
		<category><![CDATA[Mayo Clinic]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3129</guid>
		<description><![CDATA[Neuroscientists at the Mayo Clinic campus in Jacksonville, Florida, have demonstrated how brain waves can be used to type alphanumerical characters on a computer screen. By merely focusing on the &#8220;q&#8221; in a matrix of letters, for example, that &#8220;q&#8221; appears on the monitor.

This is a welcome incremental step towards brain-controlled text input. The other [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p><a href="http://www.sciencedaily.com/releases/2009/12/091206181911.htm">Neuroscientists at the Mayo Clinic campus in Jacksonville, Florida, have demonstrated how brain waves can be used to type alphanumerical characters on a computer screen. By merely focusing on the &#8220;q&#8221; in a matrix of letters, for example, that &#8220;q&#8221; appears on the monitor.</p></blockquote>
<p></a></p>
<p>This is a welcome incremental step towards brain-controlled text input. The other interesting about this experiment is that it was done on people who <em>already</em> had electrodes implanted in their brain to monitor and study their epilepsy. The scientists thought that the electrodes&#8217; output might be able to be controlled with thought, and it turns out it can.</p>
<p>This is very different than the typical brain-computer interface, which uses electroencephalography (EEG). Basically, an EEG is a helmet that oozes tricolor pasta:<br />
<center><img src="http://hapticity.net/wp-content/uploads/2009/12/091206181911.jpg" alt="091206181911" title="091206181911" width="300" height="199" class="alignnone size-full wp-image-3130" /></center></p>
<p>But an eletrocorticograph (ECoG, pronounced &#8220;eecog&#8221;), like the one used for this experiment, sits on the brain itself, like this:<br />
<center><a href="http://hapticity.net/wp-content/uploads/2009/12/4750001.jpg"><img src="http://hapticity.net/wp-content/uploads/2009/12/4750001.jpg" alt="" title="4750001" width="250" height="164" class="aligncenter size-full wp-image-3679" /></a></center></p>
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		<title>Fingerprint ridge width is coupled to Pacinian resonance</title>
		<link>http://hapticity.net/2010/01/05/fingerprint-ridge-width-is-coupled-to-pacinian-resonance/</link>
		<comments>http://hapticity.net/2010/01/05/fingerprint-ridge-width-is-coupled-to-pacinian-resonance/#comments</comments>
		<pubDate>Wed, 06 Jan 2010 04:12:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[perception]]></category>
		<category><![CDATA[physiology]]></category>
		<category><![CDATA[robotics]]></category>
		<category><![CDATA[fingerprints]]></category>
		<category><![CDATA[Georges Debregeas]]></category>
		<category><![CDATA[morphological computation]]></category>
		<category><![CDATA[Pacinian endings]]></category>
		<category><![CDATA[Pacinian resonance]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3360</guid>
		<description><![CDATA[French scientist Georges Debregeas has published a finding that the width of the ridges of our fingerprints just happens to be optimized for maximally vibrating our nerve endings:
The latest evidence suggests that fingerprints process vibrations in the skin to make them easier for nerves to pick up. They may seem little more than digital decoration, [...]]]></description>
			<content:encoded><![CDATA[<p>French scientist Georges Debregeas has published a finding that the width of the ridges of our fingerprints just happens to be <a href="http://www.technologyreview.com/blog/arxiv/24464/<br />
">optimized for maximally vibrating our nerve endings:</a></p>
<blockquote><p>The latest evidence suggests that fingerprints process vibrations in the skin to make them easier for nerves to pick up. They may seem little more than digital decoration, but biomechanics have long known that fingerprints have at least one use: they increase friction, thereby improving grip&#8230;</p>
<p>In fact the role that fingerprints play in touch is far more important and subtle than anyone imagined.</p>
<p>&#8230;Biologists have known for some time that Pacinian corpuscles are most sensitive to vibrations at 250Hz. So how do fingers generate this kind vibration? Biologists have always assumed that humans can control the frequency of vibrations in the skin by changing the speed at which a finger moves across a surface. But there&#8217;s little evidence that people actually do this and the Paris team&#8217;s discovery should make this view obsolete.</p>
<p>&#8230;They say that fingerprints resonate at certain frequencies and so tend to filter mechanical vibrations. It turns out that their resonant frequency is around 250 Hz. What an astonishing coincidence!</p>
<p>That means that fingerprints act like signal processors, conditioning the mechanical vibrations so that the Pacinian corpuscles can best interpret them&#8230;</p></blockquote>
<p>The article also notes that in robotics this is called <em>morphological computation</em>; that is, <a href="http://en.wikipedia.org/wiki/Morphological_computation_(robotics)">computation through interactions of physical form.</a></p>
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		<title>&#8220;We&#8217;re stimulating areas of the retina that are downstream from the rod and cone cells&#8230; [to] directly send impulses to the brain.&#8221;</title>
		<link>http://hapticity.net/2010/01/03/were-stimulating-areas-of-the-retina-that-are-downstream-from-the-rod-and-cone-cells-to-directly-send-impulses-to-the-brain/</link>
		<comments>http://hapticity.net/2010/01/03/were-stimulating-areas-of-the-retina-that-are-downstream-from-the-rod-and-cone-cells-to-directly-send-impulses-to-the-brain/#comments</comments>
		<pubDate>Sun, 03 Jan 2010 19:57:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[transhumanism]]></category>
		<category><![CDATA[bionic eye]]></category>
		<category><![CDATA[completely awesome]]></category>
		<category><![CDATA[Jo Ann Lewis]]></category>
		<category><![CDATA[National Geographic]]></category>
		<category><![CDATA[Rand Spencer]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3627</guid>
		<description><![CDATA[Watch this beautiful video by National Geographic about Jo Ann Lewis, the 17th recipient of a bionic eye implant. The video shows the surgery itself, so it may be unsettling to some. Because I know the surgeon is making a blind woman see, the gore a non-issue for me. From a technical standpoint, it&#8217;s a [...]]]></description>
			<content:encoded><![CDATA[<p>Watch this beautiful video by National Geographic about Jo Ann Lewis, the 17th recipient of a bionic eye implant. The video shows the surgery itself, so it may be unsettling to some. Because I know the surgeon is <em>making a blind woman see</em>, the gore a non-issue for me. From a technical standpoint, it&#8217;s a rare and fascinating close-up of a procedure to wire up a sensor to a human nerve.</p>
<p>The name of the surgeon is Rand Spencer, M.D., and we need many more like him.</p>
<p><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/_lXRHPKIvLc&#038;hl=en_US&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/_lXRHPKIvLc&#038;hl=en_US&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object></p>
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		<title>Skin receptors may contribute to emotion</title>
		<link>http://hapticity.net/2010/01/02/skin-receptors-may-contribute-to-emotion/</link>
		<comments>http://hapticity.net/2010/01/02/skin-receptors-may-contribute-to-emotion/#comments</comments>
		<pubDate>Sat, 02 Jan 2010 23:18:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[language]]></category>
		<category><![CDATA[neuroscience]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[physiology]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[interoception]]></category>
		<category><![CDATA[kinesthesia]]></category>
		<category><![CDATA[mechanoreception]]></category>
		<category><![CDATA[skin]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=2772</guid>
		<description><![CDATA[Interoception, the perception of internal feelings, is a funny thing. From our point of view as feeling beings, it seems entirely distinct from exteroceptive channels (sight, hearing, and so on). Interoception is also thought to be how we feel emotions, in addition to bodily functions. When you feel either hungry or lovesick, you are perceiving [...]]]></description>
			<content:encoded><![CDATA[<p>Interoception, the perception of internal feelings, is a funny thing. From our point of view as feeling beings, it seems entirely distinct from exteroceptive channels (sight, hearing, and so on). Interoception is also thought to be how we <a href="http://journals.lww.com/co-neurology/Abstract/2005/08000/Interoception_in_emotional_experience.15.aspx">feel emotions,</a> in addition to bodily functions. When you feel either hungry or lovesick, you are perceiving the state of your internal body, organs, and metabolism. A few years ago it was discovered that there are neural pathways for interoception <a href="http://www.sciencedirect.com/science?_ob=ArticleURL&#038;_udi=B6VS3-49209MF-1&#038;_user=10&#038;_rdoc=1&#038;_fmt=&#038;_orig=search&#038;_sort=d&#038;_docanchor=&#038;view=c&#038;_searchStrId=1151128724&#038;_rerunOrigin=google&#038;_acct=C000050221&#038;_version=1&#038;_urlVersion=0&#038;_userid=10&#038;md5=21cbede66c1966586cd488f5729410a4">distinct from ones used to perceive the outside world.</a></p>
<p>Interesting new research suggests that mechanical skin disturbances caused by pulsating blood vessels may significantly contribute to your <a href=http://www.sciencedaily.com/releases/2009/11/091102172041.htm>perception of your own heartbeat.</a> This is important because it means that skin may play a larger role in emotion than has been previously thought.</p>
<blockquote><p>The researchers found that, in addition to a pathway involving the insular cortex of the brain &#8212; the target of most recent research on interoception &#8212; an additional pathway contributing to feeling your own heartbeat exists. The second pathway goes from fibers in the skin to most likely the somatosensory cortex, a part of the brain involved in mapping the outside of the body and the sense of posture.</p></blockquote>
<p>This sounds surprising at first, but it makes perfect sense. There have been other instances where the functionality of perceptual systems overlap. For example, it&#8217;s been found that <a href="http://jn.physiology.org/cgi/content/full/94/3/1699">skin receptors contribute to kinesthesia:</a> as the joints bend, sensations of skin stretch are used to perceive of joint angles. This was also somewhat surprising at the time, because it was thought that perception of one&#8217;s joint angles arose out of the receptors in the joints themselves, exclusively. The same phenomenon, of skin movement being incidentally involved in some other primary action, is at work here. We might be able to say that any time the skin is moved perceptibly, cutaneous signals are bound up with the percept itself.</p>
<p>In fact, I think this may be a good object lesson in how <em>words</em> about <em>feelings</em> can be very confusing. A few years ago, before the recent considerable progress in mapping the neural signature of interoception, the word &#8216;interoception&#8217; was used to describe a class of perceptions&#8212;ones whose object was the perceiver. Interoception <i>meant</i> the perception of bodily processes: heartbeat, metabolic functioning, and so on. When scientists discovered a neural pathway that serves only this purpose, the word suddenly began to refer not to the perceptual modality, but exclusively to that neural pathway. Now that multiple pathways have been identified, the word will go back to its original meaning: a class of percepts, rather than a particular neural conduit.</p>
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		<title>Welcome to the year we make contact.</title>
		<link>http://hapticity.net/2010/01/01/welcome-to-the-year-we-make-contact/</link>
		<comments>http://hapticity.net/2010/01/01/welcome-to-the-year-we-make-contact/#comments</comments>
		<pubDate>Fri, 01 Jan 2010 05:00:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[space]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[2010 (the movie)]]></category>
		<category><![CDATA[Arthur C. Clarke]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[New Year]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3641</guid>
		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><center><a href="http://hapticity.net/wp-content/uploads/2009/12/A70-6962.jpg"><img src="http://hapticity.net/wp-content/uploads/2009/12/A70-6962.jpg" alt="" title="A70-6962" width="400" height="599" class="aligncenter size-full wp-image-3640" /></a></center></p>
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		<title>2009 in review: A solar system awash in hope</title>
		<link>http://hapticity.net/2009/12/31/2009-in-review-a-solar-system-awash-in-hope/</link>
		<comments>http://hapticity.net/2009/12/31/2009-in-review-a-solar-system-awash-in-hope/#comments</comments>
		<pubDate>Thu, 31 Dec 2009 16:28:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[space]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[apocalypse]]></category>
		<category><![CDATA[Columbus]]></category>
		<category><![CDATA[extraterrestrial water]]></category>
		<category><![CDATA[HiRISE]]></category>
		<category><![CDATA[International Space Station]]></category>
		<category><![CDATA[Karl Popper]]></category>
		<category><![CDATA[LCROSS]]></category>
		<category><![CDATA[Mars]]></category>
		<category><![CDATA[Moon]]></category>
		<category><![CDATA[Open Society]]></category>
		<category><![CDATA[Phoenix Mars Lander]]></category>
		<category><![CDATA[Stephen Hawking]]></category>
		<category><![CDATA[VASIMIR]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=2671</guid>
		<description><![CDATA[2009 is probably not very high on anyone’s list of Totally Awesome Years. Our society has been set on a track toward painful socioeconomic changes, and there has been a worrisome deepening of geopolitical rifts. But as the halfwits in the media class clucked and squabbled amongst themselves, they missed the biggest story of all: [...]]]></description>
			<content:encoded><![CDATA[<p>2009 is probably not very high on anyone’s list of Totally Awesome Years. Our society has been set on a track toward painful socioeconomic changes, and there has been a worrisome deepening of geopolitical rifts. But as the halfwits in the media class clucked and squabbled amongst themselves, they missed the biggest story of all: in 2009 the long-term prospects for the human experiment became considerably brighter. In fact, we have just lived through a banner year for the human species, because this was the year that we learned that leaving our mother planet to live elsewhere is a tangible possibility.</p>
<p>In recent months, several lines of scientific investigation converged and the result seems to be that humankind has gained the ability to prospect for water on other worlds. Most significantly, the <a href="http://www.spaceflightnow.com/atlas/av020/090610lcross.html">LCROSS lunar impactor</a> shot straight into a crater at 1.5 miles per second. It was literally a bombshell, but its impact on history will be no less great&#8212;the colossal smash sent <a href="http://www.nasa.gov/mission_pages/LCROSS/main/prelim_water_results.html">giant chunks of ice</a> from our moon flying into space.</p>
<p>A few weeks before, an analysis of the light bouncing off the moon had indicated that lunar dirt contains trace amounts of water <a href="http://www.space.com/scienceastronomy/090923-moon-water-discovery.html">all across its surface.</a> Extracting this water would be more difficult than mining the plentiful ice in the craters, but it could be done.</p>
<p>By the beginning of this year, the Phoenix Mars Lander had already detected&#8212;in fact, <a href="http://www.sciencedaily.com/releases/2008/06/080622001541.htm"><em>stepped</em> on</a>&#8212;ice near the Martian south pole. But now a camera orbiting Mars has snapped pictures of <a href="http://hirise.lpl.arizona.edu/HiBlog/2009/09/25/water-ice-exposed/">99% pure ice near the equator,</a> which has an environment far more hospitable to humans and our technology than the poles do.</p>
<p>If this year’s discovery of additional evidence that <a href="http://www.tgdaily.com/space-features/44790-mars-once-had-a-huge-ocean">Mars was once covered in oceans</a> had been discovered a short while ago, it would again have been interpreted by the green movement as an ominous warning of what was in store for Earth. Instead, in the context of this year’s water discoveries, Mars has become a friendlier place. We now know that we could survive there using today’s technology, if it were important enough to do so.</p>
<p>In the media, and our culture generally, a dearth of imagination has prevented the long-term implications of all this from being noticed, and it&#8217;s terribly disheartening to see. The water discoveries should have been celebrated, if not with fanfare, at least with rapturous conversation around every dinner table in the world. “Have you heard? If a global catastrophe makes Earth uninhabitable, there’s a place we can go!” But unless you follow space news, you probably weren’t even aware that these discoveries had fundamentally changed the calculus of our society’s future and even the destiny of our species.</p>
<p>Lunar ice means that large scale colonization of the moon is now possible decades earlier than it would have been had the moon been barren. That saved time could make all the difference in a pinch. Imagine that a few decades after a robust lunar colony is established, an asteroid, epidemic, or nuclear war ravages our home planet. We will have lunar water (and the fact that we knew about it) to thank for the preservation of human culture and knowledge.</p>
<p>Importantly, this increased access to the moon has put it within reach of privately funded excursions. It is now likely that individual and corporate homesteaders could establish and defend lunar property rights before governments mobilize to prevent them, promoting the cause of liberty and spreading Karl Popper’s <a href="http://en.wikipedia.org/wiki/The_Open_Society_and_Its_Enemies"><em>Open Society</em></a> into the cosmos.</p>
<p>The transition from an Earth-bound civilization to a space-faring one will start with the moon, making Mars colonization an incremental step rather than a giant leap. Relatively soon after a lunar colony is established, the skills and technologies developed to extract lunar water for drinking, breathing, and fuel-making will be further developed to do the same tasks on Mars. People will become experienced with the four-day journey between Earth and the moon, which will greatly simplify the logistics of moving personnel and cargo to the Red Planet.</p>
<p>Another important discovery was made in 2009 that made Mars more accessible: it became half as far away. Ion engines have already proved themselves on deep space probe missions, but this year a redesigned engine called <a href= "http://www.adastrarocket.com/VASIMR.html">VASIMIR</a> was announced that greatly extends the thrust and efficiency of ion drives. With these new engines, set to be tested in 2010 aboard the International Space Station, Mars could conceivably be reached in only <a href="http://www.newscientist.com/article/dn17476-ion-engine-could-one-day-power-39day-trips-to-mars.html">39 days</a>&#8212;almost exactly half the time it took Columbus to reach the New World.</p>
<p>Stephen Hawking is <a href="http://www.newscientist.com/article/dn13748">right</a> when he says that if we don’t colonize other worlds in the near future our species will become extinct sooner rather than later. This year’s discoveries of water on the moon and Mars is a profound gift&#8212;one that might extend the longevity of the human species by an order of magnitude. Despite all the headaches and misadventures this year, 2009 may not have been a washout after all.</p>
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		<title>&#8220;And reaching up my hand to try, I screamed to feel it touch the sky.&#8221;</title>
		<link>http://hapticity.net/2009/12/22/and-reaching-up-my-hand-to-try-i-screamed-to-feel-it-touch-the-sky/</link>
		<comments>http://hapticity.net/2009/12/22/and-reaching-up-my-hand-to-try-i-screamed-to-feel-it-touch-the-sky/#comments</comments>
		<pubDate>Wed, 23 Dec 2009 01:14:09 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[tactility]]></category>
		<category><![CDATA[Edna St. Vincent Millay]]></category>
		<category><![CDATA[Heebok Lee]]></category>
		<category><![CDATA[kinetic typography]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Renascence]]></category>
		<category><![CDATA[words]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3441</guid>
		<description><![CDATA[Check out this beautiful kinetic typography piece by Heebok Lee:

 It&#8217;s based on an excerpt of the poem &#8220;Renascence&#8221; by Edna St. Vincent Millay.

renascence
noun
1. the revival of something that has been dormant.
2. another term for &#8216;renaissance.&#8217;
(Oxford English Dictionary)


Millay, who wrote the poem when she was only 20 years old, originally called it &#8220;Renaissance.&#8221; It&#8217;s interesting [...]]]></description>
			<content:encoded><![CDATA[<p>Check out this beautiful kinetic typography piece by Heebok Lee:</p>
<p><center><object width="400" height="300"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8333821&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=8333821&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object></center></p>
<p> It&#8217;s based on an excerpt of the poem &#8220;Renascence&#8221; by Edna St. Vincent Millay.</p>
<dl>
<dt>renascence</dt>
<dd>noun</dd>
<dd>1. the revival of something that has been dormant.</dd>
<dd>2. another term for &#8216;renaissance.&#8217;</dd>
<dd>(<a href="http://www.askoxford.com:80/concise_oed/orexxnascence?view=uk">Oxford English Dictionary</a>)</dd>
</dl>
<p></p>
<p>Millay, who wrote the poem when she was only 20 years old, originally called it &#8220;Renaissance.&#8221; It&#8217;s interesting that the two words are so close in meaning and are pronounced almost the same way, but they&#8217;re not considered alternate spellings of the same word.</p>
<p><center><br />
<table>
<tr>
<td><img src="http://hapticity.net/wp-content/uploads/2009/12/07mcgr.large2.jpg" alt="Edna St. Vincent Millay" title="Millay" width="356" height="450" /></td>
</tr>
<tr>
<td><center>Edna on a terrace.</center></td>
</tr>
</table>
<p></center></p>
<p>Click below to read the poem in its entirety. I highly recommend reading the whole thing.<br />
<span id="more-3441"></span><br />
<center>
<div class="poetry">
<center><b>Renascence</b></center></p>
<p>ALL I could see from where I stood<br />
Was three long mountains and a wood;<br />
I turned and looked the other way,<br />
And saw three islands in a bay.<br />
So with my eyes I traced the line<br />
Of the horizon, thin and fine,<br />
Straight around till I was come<br />
Back to where I’d started from;<br />
And all I saw from where I stood<br />
Was three long mountains and a wood.<br />
Over these things I could not see:<br />
These were the things that bounded me;<br />
And I could touch them with my hand,<br />
Almost, I thought, from where I stand.<br />
And all at once things seemed so small<br />
My breath came short, and scarce at all.<br />
But, sure, the sky is big, I said;<br />
Miles and miles above my head;<br />
So here upon my back I’ll lie<br />
And look my fill into the sky.<br />
And so I looked, and, after all,<br />
The sky was not so very tall.<br />
The sky, I said, must somewhere stop,<br />
And&#8212;sure enough!&#8212;I see the top!<br />
The sky, I thought, is not so grand;<br />
I ’most could touch it with my hand!<br />
And reaching up my hand to try,<br />
I screamed to feel it touch the sky.<br />
I screamed, and&#8212;lo!&#8212;Infinity<br />
Came down and settled over me;<br />
Forced back my scream into my chest,<br />
Bent back my arm upon my breast,<br />
And, pressing of the Undefined<br />
The definition on my mind,<br />
Held up before my eyes a glass<br />
Through which my shrinking sight did pass<br />
Until it seemed I must behold<br />
Immensity made manifold;<br />
Whispered to me a word whose sound<br />
Deafened the air for worlds around,<br />
And brought unmuffled to my ears<br />
The gossiping of friendly spheres,<br />
The creaking of the tented sky,<br />
The ticking of Eternity.<br />
I saw and heard and knew at last<br />
The How and Why of all things, past,<br />
And present, and forevermore.<br />
The Universe, cleft to the core,<br />
Lay open to my probing sense<br />
That, sick’ning, I would fain pluck thence<br />
But could not,&#8212;nay! But needs must suck<br />
At the great wound, and could not pluck<br />
My lips away till I had drawn<br />
All venom out.&#8212;Ah, fearful pawn!<br />
For my omniscience paid I toll<br />
In infinite remorse of soul.<br />
All sin was of my sinning, all<br />
Atoning mine, and mine the gall<br />
Of all regret. Mine was the weight<br />
Of every brooded wrong, the hate<br />
That stood behind each envious thrust,<br />
Mine every greed, mine every lust.<br />
And all the while for every grief,<br />
Each suffering, I craved relief<br />
With individual desire,&#8212;<br />
Craved all in vain! And felt fierce fire<br />
About a thousand people crawl;<br />
Perished with each,&#8212;then mourned for all!<br />
A man was starving in Capri;<br />
He moved his eyes and looked at me;<br />
I felt his gaze, I heard his moan,<br />
And knew his hunger as my own.<br />
I saw at sea a great fog bank<br />
Between two ships that struck and sank;<br />
A thousand screams the heavens smote;<br />
And every scream tore through my throat.<br />
No hurt I did not feel, no death<br />
That was not mine; mine each last breath<br />
That, crying, met an answering cry<br />
From the compassion that was I.<br />
All suffering mine, and mine its rod;<br />
Mine, pity like the pity of God.<br />
Ah, awful weight! Infinity<br />
Pressed down upon the finite Me!<br />
My anguished spirit, like a bird,<br />
Beating against my lips I heard;<br />
Yet lay the weight so close about<br />
There was no room for it without.<br />
And so beneath the weight lay I<br />
And suffered death, but could not die.</p>
<p>Long had I lain thus, craving death,<br />
When quietly the earth beneath<br />
Gave way, and inch by inch, so great<br />
At last had grown the crushing weight,<br />
Into the earth I sank till I<br />
Full six feet under ground did lie,<br />
And sank no more,&#8212;there is no weight<br />
Can follow here, however great.<br />
From off my breast I felt it roll,<br />
And as it went my tortured soul<br />
Burst forth and fled in such a gust<br />
That all about me swirled the dust.	</p>
<p>Deep in the earth I rested now;<br />
Cool is its hand upon the brow<br />
And soft its breast beneath the head<br />
Of one who is so gladly dead.<br />
And all at once, and over all<br />
The pitying rain began to fall;<br />
I lay and heard each pattering hoof<br />
Upon my lowly, thatchèd roof,<br />
And seemed to love the sound far more<br />
Than ever I had done before.<br />
For rain it hath a friendly sound<br />
To one who’s six feet under ground;<br />
And scarce the friendly voice or face:<br />
A grave is such a quiet place.	</p>
<p>The rain, I said, is kind to come<br />
And speak to me in my new home.<br />
I would I were alive again<br />
To kiss the fingers of the rain,<br />
To drink into my eyes the shine<br />
Of every slanting silver line,<br />
To catch the freshened, fragrant breeze<br />
From drenched and dripping apple-trees.<br />
For soon the shower will be done,<br />
And then the broad face of the sun<br />
Will laugh above the rain-soaked earth<br />
Until the world with answering mirth<br />
Shakes joyously, and each round drop<br />
Rolls, twinkling, from its grass-blade top.<br />
How can I bear it; buried here,<br />
While overhead the sky grows clear<br />
And blue again after the storm?<br />
O, multi-colored, multiform,<br />
Beloved beauty over me,<br />
That I shall never, never see<br />
Again! Spring-silver, autumn-gold,<br />
That I shall never more behold!<br />
Sleeping your myriad magics through,<br />
Close-sepulchred away from you!<br />
O God, I cried, give me new birth,<br />
And put me back upon the earth!<br />
Upset each cloud’s gigantic gourd<br />
And let the heavy rain, down-poured<br />
In one big torrent, set me free,<br />
Washing my grave away from me!	</p>
<p>I ceased; and through the breathless hush<br />
That answered me, the far-off rush<br />
Of herald wings came whispering<br />
Like music down the vibrant string<br />
Of my ascending prayer, and&#8212;crash!<br />
Before the wild wind’s whistling lash<br />
The startled storm-clouds reared on high<br />
And plunged in terror down the sky,<br />
And the big rain in one black wave<br />
Fell from the sky and struck my grave.<br />
I know not how such things can be;<br />
I only know there came to me<br />
A fragrance such as never clings<br />
To aught save happy living things;<br />
A sound as of some joyous elf<br />
Singing sweet songs to please himself,<br />
And, through and over everything,<br />
A sense of glad awakening.<br />
The grass, a-tiptoe at my ear,<br />
Whispering to me I could hear;<br />
I felt the rain’s cool finger-tips<br />
Brushed tenderly across my lips,<br />
Laid gently on my sealèd sight,<br />
And all at once the heavy night<br />
Fell from my eyes and I could see,&#8212;<br />
A drenched and dripping apple-tree,<br />
A last long line of silver rain,<br />
A sky grown clear and blue again.<br />
And as I looked a quickening gust<br />
Of wind blew up to me and thrust<br />
Into my face a miracle<br />
Of orchard-breath, and with the smell,&#8212;<br />
I know not how such things can be!&#8212;<br />
I breathed my soul back into me.<br />
Ah! Up then from the ground sprang I<br />
And hailed the earth with such a cry<br />
As is not heard save from a man<br />
Who has been dead, and lives again.<br />
About the trees my arms I wound;<br />
Like one gone mad I hugged the ground;<br />
I raised my quivering arms on high;<br />
I laughed and laughed into the sky,<br />
Till at my throat a strangling sob<br />
Caught fiercely, and a great heart-throb<br />
Sent instant tears into my eyes;<br />
O God, I cried, no dark disguise<br />
Can e’er hereafter hide from me<br />
Thy radiant identity!<br />
Thou canst not move across the grass<br />
But my quick eyes will see Thee pass,<br />
Nor speak, however silently,<br />
But my hushed voice will answer Thee.<br />
I know the path that tells Thy way<br />
Through the cool eve of every day;<br />
God, I can push the grass apart<br />
And lay my finger on Thy heart!	</p>
<p>The world stands out on either side<br />
No wider than the heart is wide;<br />
Above the world is stretched the sky,&#8212;<br />
No higher than the soul is high.<br />
The heart can push the sea and land<br />
Farther away on either hand;<br />
The soul can split the sky in two,<br />
And let the face of God shine through.<br />
But East and West will pinch the heart<br />
That can not keep them pushed apart;<br />
And he whose soul is flat&#8212;the sky<br />
Will cave in on him by and by.</p></div>
<p></center></p>
<p>Find out more about the poem and the poet <a href="http://www.enotes.com/poetry-criticism/renascence-edna-st-vincent-millay">here.</a></p>
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		<title>What can gardens teach us about digitality?</title>
		<link>http://hapticity.net/2009/12/20/what-can-gardens-teach-us-about-digitality/</link>
		<comments>http://hapticity.net/2009/12/20/what-can-gardens-teach-us-about-digitality/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 14:11:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[sociology]]></category>
		<category><![CDATA[tactility]]></category>
		<category><![CDATA[apocalypse]]></category>
		<category><![CDATA[being there]]></category>
		<category><![CDATA[bipedalism signifies loss of sensation]]></category>
		<category><![CDATA[Capek]]></category>
		<category><![CDATA[digitality]]></category>
		<category><![CDATA[gardens]]></category>
		<category><![CDATA[Katherine Hayles]]></category>
		<category><![CDATA[mobility]]></category>
		<category><![CDATA[Robert Harrison]]></category>
		<category><![CDATA[screens]]></category>
		<category><![CDATA[symbiosis]]></category>
		<category><![CDATA[WaPo]]></category>
		<category><![CDATA[zombies]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3362</guid>
		<description><![CDATA[The Washington Post has an intriguing piece about a book dealing with gardens (of all things) and digitality. The author, Robert Harrison, argues that gardens immerse us in place and time, and that digital devices do not. The article jumps all over the place, talking about mobile communication, cultural anthropology, and evolution, but it makes [...]]]></description>
			<content:encoded><![CDATA[<p>The Washington Post has an <a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/12/14/AR2009121403347.html?hpid=topnews">intriguing piece</a> about a book dealing with gardens (of all things) and digitality. The author, Robert Harrison, argues that gardens immerse us in place and time, and that digital devices do not. The article jumps all over the place, talking about mobile communication, cultural anthropology, and evolution, but it makes several important points.</p>
<p>To start, attending to digital devices is said to preclude being present:<br />
<blockquote>&#8220;You know you have crossed the river into Cyberland when the guy coming your way has his head buried in the hand-held screen. He <i>will</i> knock into you unless you get out of his way, and don&#8217;t expect an apology. It&#8217;s as if you aren&#8217;t there. Maybe you&#8217;re not.&#8221;</p></blockquote>
<p>I&#8217;m very interested in language like this, because it&#8217;s a metaphor in the process of becoming a literalism. Today, saying that you&#8217;re not there because you&#8217;re looking at a device is metaphorical, but I think that the meaning of &#8216;being there&#8217; is going to change to mean where you are engaged, no matter where its geographical location is in relation to you. <em>&#8220;I&#8217;ll be right there!&#8221; he said as he plugged his brain into the internet. Moments later he was standing in the garden&#8230;</em></p>
<p>The article quotes a study that claims that the average adult spends 8.5 hours a day visually engaged with a screen. 24-hour days, split up by 8.5 hours of screen and 8 hours of sleep&#8212;the Screen Age really does deserve its own delineation. It&#8217;s a significant and unique period in human history.</p>
<p>And just like sleep, perhaps disturbingly so, people looking at screens can resemble dead people (or, more accurately, <i>un-</i>dead people):</p>
<blockquote><p>&#8230;We have become digital zombies.</p></blockquote>
<p>But I think the resemblance is entirely superficial. Sure, if you only go by appearances, an army of screen-starers is a frightening sight to imagine. But scratch the surface and you realize that screen-staring is a far cry from zombism. The social spaces we are constructing while we stare, the vast data stores we are integrating&#8212;these activities remind me of life. <i>Teeming</i> life. Our bodies may be sedentary, our eyes fixed on a single glowing rectangle, but what is going on is indisputably amazing. On the microscopic level there are billions of electrical fluctuations per moment, both in our brains and our machines, and they are actively correlating and adapting to each other. Patterns of thought are encoded in a vast network of micro-actions and reactions that span the planet. And what is it <i>like</i> for you when you stare at a computer or phone screen? You juggle complex, abstract symbolic information at speeds never before achieved by human brains, and you&#8217;re also inputting&#8212;emitting&#8212;hundreds of symbols with the precise motor skills of your fingers. You are recognizing pictures and signs, searching for things, finding them, figuring stuff out, adjusting your self image, and nurturing your dreams. There is no loss of dignity or life in this. But I admit that we all <i>look</i> like zombies while we do it, and I suppose that is pretty weird.</p>
<p>The article goes on to quote author Katherine Hayles, who says she thinks humans are in a state of symbiosis with their computers:</p>
<blockquote><p>&#8220;If every computer were to crash tomorrow, it would be catastrophic,&#8221; she says. &#8220;Millions or billions of people would die. That&#8217;s the condition of being a symbiont.&#8221;</p></blockquote>
<p> Let that sink in. At any moment a catastrophic event could fry our entire digital infrastructure in one fell swoop. Our civilization teeters on a house of cards as high as Mount Everest! To me this is the only reason the Screen Age should be frightening, but it&#8217;s very frightening indeed.</p>
<p>Turning now to sensation, Hayles mentions that touch and smell are suppressed by bipedalism:<br />
<blockquote>&#8220;You could say when humans started to walk upright, we lost touch with the natural world. We lost an olfactory sense of the world, but obviously bipedalism paid big dividends.&#8221;</p></blockquote>
<p> Note that bipedalism is associated with a loss of tactility, but it has also been correlated with enabling more complex manual dexterity. Maybe there is a general principle here that ambient tactile awareness is inversely correlated to prehension.</p>
<p>After a brief ensuing discussion of dualism and the advent of location-based services, we&#8217;re back to the gardens:</p>
<blockquote><p>The difficulty, Harrison argues, is that we are losing something profoundly human, the capacity to connect deeply to our environments&#8230; &#8220;For the gardens to become fully visible in space, they require a temporal horizon that the age makes less and less room for.&#8221;</p></blockquote>
<p>I like the point about a gardens&#8217; time horizon. But it&#8217;s used to complain about the discomfort of our rushed lifestyle, which I would argue is separable from communication technology. The heads-buried-in-screens thing doesn&#8217;t really affect whether we have <i>time</i> for gardens. </p>
<p>An interesting footnote offered by Harrison is that the Czech playwright Karel Capek, who invented the word &#8216;robot,&#8217; was a gardener.</p>
<p>Finally, this is the photo that accompanies the article:<br />
<center><img src="http://hapticity.net/wp-content/uploads/2009/12/PH2009121403611.jpg" alt="PH2009121403611" title="PH2009121403611" width="228" height="341" class="alignnone size-full wp-image-3383" /></center><br />
&#8230;captioned, &#8220;Fingers on the political pulse.&#8221; The article is about looking and being present, but the picture is about hands, heatbeat, and hapticity.</p>
<p>(via <a href="http://althouse.blogspot.com/2009/12/most-of-groves-courtyards-gardens.html">Althouse</a>)</p>
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		<item>
		<title>Bootboxing</title>
		<link>http://hapticity.net/2009/12/19/boot-boxing/</link>
		<comments>http://hapticity.net/2009/12/19/boot-boxing/#comments</comments>
		<pubDate>Sat, 19 Dec 2009 18:15:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[music]]></category>
		<category><![CDATA[boot boxing]]></category>
		<category><![CDATA[cars]]></category>
		<category><![CDATA[Julian Smith]]></category>
		<category><![CDATA[Snob Scrilla]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=3394</guid>
		<description><![CDATA[noun. Making music by applying human bodies to cars. E.g.,
 

(via Autoblog)
]]></description>
			<content:encoded><![CDATA[<p>noun. Making music by applying human bodies to cars. E.g.,<br />
<center><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/LFybwg4wadI&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/LFybwg4wadI&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"></embed></object> </p>
<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/Ec28mlIkxy0&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/Ec28mlIkxy0&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"></embed></object></center></p>
<p>(via <a href="http://www.autoblog.com/2009/12/16/video-in-da-club-cherokee-enterprising-kids-go-all-jeep-techno/">Autoblog</a>)</p>
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		<item>
		<title>Taking pictures of vibrating molecules</title>
		<link>http://hapticity.net/2009/12/07/taking-pictures-of-vibrating-molecules/</link>
		<comments>http://hapticity.net/2009/12/07/taking-pictures-of-vibrating-molecules/#comments</comments>
		<pubDate>Tue, 08 Dec 2009 01:40:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[unclassifiable]]></category>
		<category><![CDATA[femtosecond stimulated Raman spectroscopy]]></category>
		<category><![CDATA[vibration]]></category>

		<guid isPermaLink="false">http://hapticity.net/?p=2704</guid>
		<description><![CDATA[Scientists at UC Berkeley have used an advanced laser spectroscopy technique to image the vibration of a molecule as it absorbs a photon:
Femtosecond stimulated Raman spectroscopy on GFP involves hitting the protein molecule with an approximately 80 femtosecond pulse of ultraviolet light, which excites many vibrational modes in the molecule, and then a one-two punch [...]]]></description>
			<content:encoded><![CDATA[<p>Scientists at UC Berkeley have used an advanced laser spectroscopy technique to image the <a href="http://www.sciencedaily.com/releases/2009/11/091111130950.htm<br />
">vibration of a molecule as it absorbs a photon:</a></p>
<blockquote><p>Femtosecond stimulated Raman spectroscopy on GFP involves hitting the protein molecule with an approximately 80 femtosecond pulse of ultraviolet light, which excites many vibrational modes in the molecule, and then a one-two punch of picosecond red and femtosecond white light to stimulate Raman emission. The spectrum of emitted signals tells researchers the vibrational modes of various parts of the molecule. If the molecule is in the middle of a reaction, the emitted light at different time delays tells the researcher the various steps the molecule goes through during the reaction. &#8220;Now, we can get very, very high resolution structure down to 10-25 femtoseconds,&#8221; Mathies said.</p></blockquote>
<p>That&#8217;s femtoseconds, with an &#8216;f&#8217;. Wild!<br />
<div id="attachment_2705" class="wp-caption aligncenter" style="width: 310px"><a href="http://hapticity.net/wp-content/uploads/2009/12/091111130950.jpg"><img src="http://hapticity.net/wp-content/uploads/2009/12/091111130950.jpg" alt="Image credit: Renee Frontiera &amp; Chong Fang/UC Berkeley" title="091111130950" width="300" height="276" class="size-full wp-image-2705" /></a><p class="wp-caption-text">Image credit: Renee Frontiera &#038; Chong Fang/UC Berkeley</p></div></p>
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